Robert Loss looks at Neil Gaiman’s The Sandman: Dream Country (1991, 1995) as a meditation on femininity, power and imagination that nevertheless is subjected to a “patronal feminism” as system of authority.
Rober Loss writes about the Mix 2012 Comics Symposium which will take place at the Columbus College of Art and Design, October 3-6 2012.
Comics and the Multimodal World.
An International Conference.
13-16 June 2013
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