Robert Loss looks at Neil Gaiman’s The Sandman: Dream Country (1991, 1995) as a meditation on femininity, power and imagination that nevertheless is subjected to a “patronal feminism” as system of authority.
June 24, 2013 – Joint International Graphic Novel and International Bande Dessinée Conferences, 24-28 June 2013, Universities of Glasgow and Dundee, UK
The Comics Grid is an open access, born-digital, open peer-review journal of comics scholarship. It is archived by
The UK Web Archive, British Library.