CFP - Special Collection: Creating Comics, Creative Comics
Special Collection Editors:
Brian Fagence (University of South Wales)
and
Geraint D’Arcy (University of South Wales)
with editorial support from The Comics Grid´s editorial team, led by Kathleen Dunley, Ernesto Priego and Peter Wilkins
Deadline for submissions: 1st October 2018
The First USW Cardiff: Comics Symposium (1st and 2nd June 2018) was interested in creator’s perspectives. It explored comics and creativity.
Following this symposium, The Comics Grid: Journal of Comics Scholarship invites papers for a special collection examining the practice of creating comics, and the particulars of storytelling in comics.
Colleagues who presented at the Symposium are invited to expand the work of their original presentation submissions into articles of 4000-6000 words.
This call however is open to all comics practitioners and scholars, including those who may not have presented at The First USW Cardiff: Comics Symposium, as its intention is to both complement and expand the remit of the original Symposium.
The original call asked: does changing a panel change the story? How might a medium’s materiality affect its construction and reception?
Pudovkin stated that “In order to write a scenario suitable for filming, one must know the methods by which the spectator can be influenced from the screen” (Pudovkin 1949: 1), and referring to adaption Weaver suggests this is“the act of translating a story from one medium to another. To do so, you must be cognizant of the needs and storytelling techniques of each medium.” (Weaver 2012: 83). This special collection addresses these needs from the point of view of the creators involved in the production and creation of comics and extends the conversations begun at the symposium.
Authors are encouraged to keep endnotes to an absolute minimum, such as in cases where crucial clarifying information needs to be conveyed.
Submissions should provide analysis/interpretation of specific examples of comics work as well as image files of the discussed examples.
Submission and manuscript guidance can be found on the comics grid submission site: https://www.comicsgrid.com/about/submissions/
All authors must ensure their submissions:
Please submit articles of 4000-6000 words, plus an abstract of 300 words, a maximum of 5 good-resolution image files, a short 100-word biography and six keywords directly via The Comics Grid: Journal of Comics Scholarship online submission portal by 1st October 2018.
The Comics Grid: Journal of Comics Scholarship is a researcher-led, peer-reviewed, open-access journal published by the Open Library of Humanities. Unlike many open-access publishers, the Open Library of Humanities does not charge any author fees. This does not mean that we do not have costs. Instead, our costs are paid by an international library consortium.
Authors whose work is accepted for publication retain their copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC-BY) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal. This is the journal’s default license. Authors preferring to publish their work under an alternative Creative Commons License, should indicate this in the Comments for the Editor box in the online submission form, providing reasons for the request.
Any special enquiries relating to this issue, please send them through to the collection editors:
Brian Fagence (brian.fagence@southwales.ac.uk) and Geraint D’Arcy (geraint.darcy@southwales.ac.uk)
References
Pudovkin, V., I. (2007) Film technique and film acting: the cinema writings of V. I. Pudovkin. New York: Bonanza.
Weaver, Tyler (2012) Comics for Film, Games, and Animation: Using Comics to Construct your Transmedia Storyworld. Abingdon, Oxon: Focal Press.
Posted on 20 Jul 2018
Key Dates
Deadline for expressions of interest: October 31st 2017
Deadline for accepted final submissions: March 1st 2018
Expected publication, depending on editorial processes: September 2018
Comics have been well received in the science community and by publishers as a form of science communication. Recent publications demonstrate that comics have the potential of becoming academic outputs in their own right. Various webcomics as well as the growing trend of having illustrators document proceedings live at academic events (in the form of so-called ‘scribing’, ‘sketchnoting’ or ‘graphic facilitation’) provide evidence of the blurring of genre/medium distinctions between infographics, data visualisation, and comics. Likewise, there is evidence of researchers and educators working with illustrators to develop comics about their practice, research data and insights for dissemination and impact. (For more references and context, see Priego 2016).
In recognition of the ascendency of graphic representations of science, The Comics Grid: Journal of Comics Scholarship calls for submissions on ‘science’ in graphic form. Submissions can be on any scientific field, topic or methodology, and can be the result of (but not limited to):
As the journal’s domain is comics scholarship specifically, all graphic submissions will be peer reviewed. Authors of graphic submissions are required to provide two contact details of two specialists in the specific scientific discipline/approach that the submission belongs to who could serve as potential peer reviewers and to declare any conflicts of interest. Submissions without contact details of relevant peer reviewers for the science component will not be considered.
Graphic submissions lead editor: Dr Nicolas Labarre, Nicolas.labarre@u-bordeaux-montaigne.fr
Key Dates
Deadline for expressions of interest: October 31st 2017
Deadline for accepted final submissions: March 1st 2018
Expected publication, depending on editorial processes: September 2018
Graphic Submissions
Submissions in graphic form (including but not limited to drawings, comics, and diagrams) can be of any type described in our submission guidelines, from Research to Commentary.
All submissions must include an abstract, references, and an introductory text that explains the method and the objectives of the submission, following the journal’s formatting guidelines. This text helps us to index the submission. As search engines currently rely on metadata to retrieve images, the detail in the text sections framing the graphic submission can enhance its searchability, potential discoverability and reuse.
Technical requirements
As with images in regular articles, all files must be provided in 300 dpi in either .jpg or .png. You may need to adjust hand-drawn submissions to ensure that the scanning process results in a clear and legible picture.
Nevertheless, the aesthetic qualities of graphic submissions are less important than their ability to convey information clearly. Visual scholarship should aim at presenting knowledge in a legible, efficient, and productive way, subordinating aesthetic choices to these goals.
While being a skilled draftsperson can improve the efficiency of such communication, minimalist solutions (see “Creativity and project management: a comic”, by Phil Jones Jones, James Evans) and technical options (see “Materiality Comics”, by Aaron Kashtan) are perfectly viable alternatives, provided the form is coherent with the content and the epistemic objectives of the submission.
Submission process
Graphic research is a time-consuming process, even compared to traditional forms of scholarly publication. We therefore encourage scholars wishing to submit graphic pieces to first contact the graphic submissions editor, Dr Nicolas Labarre, with their project, presenting the subject of the piece as well as the graphic strategies they intend to use. This collaborative approach is meant to generate useful feedback and to refine the submissions, but it does not guarantee that they will go through the peer-review process successfully.
Additionally, we will consider submissions in “thumbnail” or “storyboard” form for peer review. Such submissions should include the complete introductory text and a fully realized graphic sample, but the entire project need not be in fully-rendered graphic form. This process is useful for multiple-page articles in comics form, where the creator does not want to waste time on a fully-rendered project only to have it rejected.
The editors will make sure that reviewers are aware of these submission processes.
About the Journal
The Comics Grid: Journal of Comics Scholarship is a peer-reviewed Open Access journal completely managed by academics. The journal is non-profit and does not have any paid editorial members of staff. Read our editorial policieshere.
The Comics Grid provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge. Authors of articles published in The Comics Grid remain the copyright holders and grant third parties the right to use, reproduce, and share the original contents of the article according to the Creative Commons-Attribution license agreement.
The Comics Grid is published by the Open Library of Humanities (OLH). Unlike many Open Access publishers, the OLH does not charge any author fees. This does not mean The Comics Grid does not have costs. Instead, publishing costs are paid by an international library consortium.
The Comics Grid focuses on making content discoverable and accessible through indexing services. Content is also archived around the world to ensure long-term availability. The journal is indexed by the following services: CrossRef, JISC KB+, SHERPA RoMEO, Directory of Open Access Journals (DOAJ), EBSCOHost, and Google Scholar. In addition, all journals are available for harvesting via OAI-PMH. To ensure permanency of all publications, this journal also utilises CLOCKSS, and LOCKSS archiving systems to create permanent archives for the purposes of preservation and restoration.
To find out more about how The Comics Grid and the Open Library of Humanities are funded and supported by libraries worldwide, see https://about.openlibhums.org/libraries/.
Image CC-BY Randall Munroe, https://xkcd.com/54/
Posted on 14 Mar 2017