Volume 6 • 2016 • Volume 6


Research

The Task of Manga Translation: Akira in the West
The Task of Manga Translation: Akira in the West

Martin de la Iglesia

Volume 6 • 2016 • Volume 6

When the Zombies Came for Our Children: Exploring Posthumanism in Robert Kirkman's The Walking Dead
When the Zombies Came for Our Children: Exploring Posthumanism in Robert Kirkman's The Walking Dead

Joseph Michael Sommers

Volume 6 • 2016 • Volume 6

‘Graphic Medicine’ as a Mental Health Information Resource: Insights from Comics Producers
‘Graphic Medicine’ as a Mental Health Information Resource: Insights from Comics Producers

Anthony Farthing and Ernesto Priego

Volume 6 • 2016 • Volume 6

Witnessing Fukushima Secondhand: Collage, Archive and Travelling Memory in Jacques Ristorcelli’s Les Écrans
Witnessing Fukushima Secondhand: Collage, Archive and Travelling Memory in Jacques Ristorcelli’s Les Écrans

Benoît Crucifix

Volume 6 • 2016 • Volume 6

Analysis of Motions in Comic Book Cover Art: Using Pictorial Metaphors
Analysis of Motions in Comic Book Cover Art: Using Pictorial Metaphors

Igor Juricevic and Alicia Horvath

Volume 6 • 2016 • Volume 6

‘Introducing the Sensational Black Panther!’ Fantastic Four #52–53, the Cold War, and Marvel’s Imagined Africa
‘Introducing the Sensational Black Panther!’ Fantastic Four #52–53, the Cold War, and Marvel’s Imagined Africa

Martin Lund

Volume 6 • 2016 • Volume 6

Playing Together: Analyzing Jazz Improvisation to Improve the Multiframe
Playing Together: Analyzing Jazz Improvisation to Improve the Multiframe

Zach Powers and Stephanie Grimm

Volume 6 • 2016 • Volume 6

Also a part of:

Collection: Brilliant Corners: Approaches to Jazz and Comics

‘Ragged Time’ in Intra-panel Comics Rhythms
‘Ragged Time’ in Intra-panel Comics Rhythms

Corry Shores

Volume 6 • 2016 • Volume 6

Also a part of:

Collection: Brilliant Corners: Approaches to Jazz and Comics

New Zealand Jazz Concerts, the Use and Abuse of Grand Pianos, and One Cartoonist’s Response
New Zealand Jazz Concerts, the Use and Abuse of Grand Pianos, and One Cartoonist’s Response

Aleisha Ward

Volume 6 • 2016 • Volume 6

Also a part of:

Collection: Brilliant Corners: Approaches to Jazz and Comics

Reviews

A Readers’ History of Girls’ Comics: A Review of Remembered Reading
A Readers’ History of Girls’ Comics: A Review of Remembered Reading

Benoît Crucifix

Volume 6 • 2016 • Volume 6

A Review of Boys Love Manga and Beyond: History, Culture, and Community in Japan
A Review of Boys Love Manga and Beyond: History, Culture, and Community in Japan

Tiffany Flowers

Volume 6 • 2016 • Volume 6

Also a part of:

Collection: Comics and Nationality

Commentary

The Unbearable Blind Spots of Comics Scholarship
The Unbearable Blind Spots of Comics Scholarship

Brenna Gray

Volume 6 • 2016 • Volume 6

Editorial

Brilliant Corners: Approaches to Jazz and Comics
Brilliant Corners: Approaches to Jazz and Comics

Nicolas Pillai and Ernesto Priego

Volume 6 • 2016 • Volume 6

Also a part of:

Collection: Brilliant Corners: Approaches to Jazz and Comics

Notes

Pre-Cloak Comic Superheroes: Tools for the Empowerment of Children
Pre-Cloak Comic Superheroes: Tools for the Empowerment of Children

Chris Fradkin

Volume 6 • 2016 • Volume 6

What is Graphic Justice?
What is Graphic Justice?

Thomas Giddens

Volume 6 • 2016 • Volume 6

Also a part of:

Collection: Graphic Justice

Interview

Comics as Research, Comics for Impact: The Case of Higher Fees, Higher Debts
Comics as Research, Comics for Impact: The Case of Higher Fees, Higher Debts

Ernesto Priego

Volume 6 • 2016 • Volume 6

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Issue Archive