Volume 8 • 2018


Research

On the Pleasure of Coding Interface Narratives
On the Pleasure of Coding Interface Narratives

Anthony Rageul

Volume 8 • 2018

Also a part of:

Collection: Poetics of Digital Comics

“I am a Teacher”: Early Career Teachers in High Needs Schools
“I am a Teacher”: Early Career Teachers in High Needs Schools

Tabitha Dell'Angelo and Maria DeGenova

Volume 8 • 2018

Also a part of:

Collection: Graphic Scholarship

Paradoxes of Innovation in French Digital Comics
Paradoxes of Innovation in French Digital Comics

Julien Baudry

Volume 8 • 2018

Also a part of:

Collection: Comics and Nationality

Collection: Poetics of Digital Comics

Farting Jellyfish and Synergistic Opportunities: The Story and Evaluation of Newcastle Science Comic
Farting Jellyfish and Synergistic Opportunities: The Story and Evaluation of Newcastle Science Comic

Lydia Wysocki

Volume 8 • 2018

Also a part of:

Collection: Graphic Scholarship

Undemocratic Layout: Eight Methods of Accenting Images
Undemocratic Layout: Eight Methods of Accenting Images

Chris Gavaler

Volume 8 • 2018

Prayoon Chanyawongse’s Cartoon Likay: Amalgamating Likay Theatrical Form and Comics into a Unique Thai Genre
Prayoon Chanyawongse’s Cartoon Likay: Amalgamating Likay Theatrical Form and Comics into a Unique Thai Genre

Nicolas Verstappen

Volume 8 • 2018

Also a part of:

Collection: Comics and Nationality

Heart is for Love: Cognitive Salience and Visual Metonymies in Comics
Heart is for Love: Cognitive Salience and Visual Metonymies in Comics

Hubert Kowalewski

Volume 8 • 2018

The Story of ECT: Behind the Scenes of a Controversial yet Effective Treatment
The Story of ECT: Behind the Scenes of a Controversial yet Effective Treatment

Annie Zhu, Melissa Phuong and Peter Giacobbe

Volume 8 • 2018

Also a part of:

Collection: Graphic Scholarship

Geneviève Castrée’s Unmade Beds: Graphic Memoir and Digital Afterlives
Geneviève Castrée’s Unmade Beds: Graphic Memoir and Digital Afterlives

Candida Rifkind

Volume 8 • 2018

The Question Concerning Comics as Technology: Gestell and Grid
The Question Concerning Comics as Technology: Gestell and Grid

Ernesto Priego and Peter Wilkins

Volume 8 • 2018

Also a part of:

Collection: Poetics of Digital Comics

Of Microscopes and Metaphors: Visual Analogy as a Scientific Tool
Of Microscopes and Metaphors: Visual Analogy as a Scientific Tool

Matteo Farinella

Volume 8 • 2018

Also a part of:

Collection: Graphic Scholarship

Reviews

Raiding the Superhero Wardrobe: A Review of The Superhero Costume – Identity and Disguise in Fact and Fiction
Raiding the Superhero Wardrobe: A Review of The Superhero Costume – Identity and Disguise in Fact and Fiction

Alke Gröppel-Wegener

Volume 8 • 2018

We’re All YA Now: A Review of Graphic Novels for Children and Young Adults
We’re All YA Now: A Review of Graphic Novels for Children and Young Adults

Lee Skallerup Bessette

Volume 8 • 2018

Enacting Graphic Mark-Making: A Review of A Theory of Narrative Drawing
Enacting Graphic Mark-Making: A Review of A Theory of Narrative Drawing

Paul Fisher Davies

Volume 8 • 2018

Also a part of:

Collection: Graphic Scholarship

The Comics Page: Scholarly Books Briefly Noted (2017–2018)
The Comics Page: Scholarly Books Briefly Noted (2017–2018)

Ernesto Priego

Volume 8 • 2018

On the Significance of the Graphic Novel to Contemporary Literary Studies: A Review of The Cambridge Companion to the Graphic Novel
On the Significance of the Graphic Novel to Contemporary Literary Studies: A Review of The Cambridge Companion to the Graphic Novel

Jacob Murel

Volume 8 • 2018

Unmasked Lex Text: A Review of On Comics and Legal Aesthetics – Multimodality and the Haunted Mask of Knowing
Unmasked Lex Text: A Review of On Comics and Legal Aesthetics – Multimodality and the Haunted Mask of Knowing

Thomas E. Simmons

Volume 8 • 2018

Interview

“I’m Aware that a Lot of these People that I’m Feeling Sorry for are Wankers”: A Conversation with Hannah Berry
“I’m Aware that a Lot of these People that I’m Feeling Sorry for are Wankers”: A Conversation with Hannah Berry

Thomas Giddens

Volume 8 • 2018

Also a part of:

Collection: Graphic Justice

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Issue Archive